I'm delighted to announce that this week I was conferred with a PhD by Practice in Visual Culture at the National College of Art and Design at a ceremony at University College Dublin. There are so, so many people to thank and I'm delighted to start to share some of my practice and research, FINALLY!…Read more PhD by Practice – The Ecological Turn: Living Well with forests to explain eco-social art practices
I’m delighted to share that the Drummin Bog Project for Carlow’s only raised bog, has received support from Creative Ireland Carlow for two eco-social art projects.
I was particularly happy to find my doctoral research for developing an eco-social art practice theory and methodology framework, can be used not just for forests but bogs too!
The artistic team working for the Drummin Bog project includes fellow Nine Stone Artists: Jules Michael (lead artist for the projects), Martin Lyttle, Annabel Konig and other local artist-educator and art facilitator Mairead Holahan and Alexis Bernstorff.
The Drummin Bog Projects are two of 16 community art projects supported by Creative Ireland Carlow in 2018-19.
The Drummin Bog Project committee is delighted to announce that two proposals for the Drummin Bog Project are to be supported by Creative Ireland Carlow:
The Bog Rosemary and Fraughan Projects, listed below, build on the initiative of the Drummin Bog Project that created a successful community Hidden | Reveal art event at Visual Carlow, December 2017.
Drummin Bog is Carlow’s only raised bog. The Drummin Bog Project was formed in 2015 to conserve, restore and promote this special place. It is sited in a wider national context; as a member of the Community Wetlands Forum and as part of the overall growing environmental awareness of the importance of raised bogs, in their significance to lowering carbon emissions and as sensitive and important flora and fauna habitats.
The Drummin Bog project aims…
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Eco-social artist Cathy Fitzgerald, will be offering an ecoliteracy toolbox of sorts for the Cowhouse Studios 2018 How to Flatten a Mountain Artists Residency : comprising ideas from science, environmental philosophy, and examples from effective and established eco-social art practices. The aim is to help the artists reflect on how they might more accurately read the environmental realities here during their residency, but also to equip the artists with new ways of thinking for their own home places, so they can create informed and engaging responses for their audiences.
The bodily exertions endured by Robinson during his researches and observations are, once more, indexical of a decelerated ecological vision - a mode of discovery and living that privileges immersion and depth in its relationship with the living landscape's storehouse of natural and cultural imprints. Eoin Flannery, 2016, 'Essayist of Place: Postcolonialism and Ecology', p.223.…Read more the key role of eco-social art practices to envision life-sustaining futures
On such occasions the basic act of attention that creates a place out of a location would be renewed, enhanced by whatever systems of understanding we can muster, from the mathematical to the mythological, by the passion of poetry, or by simple enjoyment of the play of light on it. Here is a gateway to…Read more Understanding a place “without shortcuts”: exploring the Tim Robinson archive
I'm delighted to have been invited to share my creative transversal research and practice in Riga, Latvia at the end of the month. I was attracted to apply to share my work at this conference because of the questions that frame the event (see below) and I was doubly delighted to find that my travel…Read more Sharing the Hollywood project in the Open Fields – Riga 2016