Some of you know that I am away from Ireland presently due to family reasons. As such, I'm very sorry to be missing the very first Pro Silva Ireland Close-to-Nature forestry management day in my home area. I work voluntarily with the committee of Pro Silva Ireland who are organising this event (22 April 2017), …Read more Close-to-Nature continuous cover forest management day and practical guide launch, near Borris, Co. Carlow
This is an update of a post I wrote on 20 August 2013. Found abandoned on the floor of Hollywood last weekend, two works of art... __________________________ Update Summer 2016: Fellow 9 Stone Artist Annabel Konig has developed a moving project about nests as a symbol for our many ideas about 'home'. The work of…Read more The art of Sitka spruce twigs, mud and moss: now at VISUAL Carlow
I’ve just been standing outside watching visiting birds from the continent enjoying the seeds from one of our Alder trees. They work in a chattery team. Some at the top of the tree knock the tiny pine cones to the ground; other birds in the team on the ground have their turn in getting the seeds from the dropped cones. My ecologist friend Faith was telling me we have more birdsong in Ireland at this time of year (in Wintery February) due to all these overseas visitors.
I came inside to find Pete’s blog post below. Peter is a fellow art and ecology artist and educator I met a few years ago. I thought you all might enjoy this post about ‘birdsong’, the ‘little flower’ and ‘small, little ways’ we can introduce change. Pete’s drawings are all made from natural local materials; he grinds his own charcoal and pigments to sensitively reflect on the area in which he lives with others, birds included.
Update if you are in the Devon area:
This morning I awoke to the sound of birdsong drifting through dawn-lit windows
The small, humble things in life offering sustenance in this big, big world
Spring hath sprung…
“Curiously in amongst this plethora of Buddhism there was one token of Christianity – the autobiography of St Teresa of Lisieux. In spite of Tenzin Palmo’s antipathy to the Christian religion in general, she was drawn to the French saint who had entered a Carmelite nunnery when she was just fifteen and who had died at the age of twenty-four. She read her story several times and could quote from it at will.
‘The ironic thing is that the “little way” that she wrote about had nothing to do with the Way that I practiced. What I liked about her, however, was that she was very sensible. She sometimes slept through the…
View original post 232 more words